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about
Eli Resnick recorded sixty-four songs in the last sixty-four days of his twenties. Some old, some new, some blue. All original. All traditional.
He created a digital document of everything he knew and felt when he was one of the oldest young men on Earth. That's pretty much what makes this the most important and poignant album ever released.
Listen loud.
credits
released 20 September 2010
Eli Resnick: lyrics, composition, recording, mixing, editing, upright bass, electric bass, classical guitar, electric guitars, harmonica, lead vocals, backing vocals, really low/manly sounding vocals, kinda high and squeaky vocals, electric drumset, drum looping, drum programming, electronic keyboard, analog electric organ, tuned feedback loop, tenor saxophone, handclaps, mandolin, dobro, spoons.
Steve Losey, Christin Durham, P.J. Rey, Nathan Jurgenson: some awesome rock and roll and some great help on the last five tracks, all in about the last hour of the last Saturday night of my youth.
Special Thanks: God who gives us a regular and occasionally predictable series of overtones in fixed-mass string vibration, engineers who allow reliable reproduction thereof, musicians who created this culture, teachers who help me take part, Mom who made this possible, Amber who made it fun, Anna who makes it meaningful, Abe whom I should maybe credit above if he's okay with it, Dad who still takes me to every possible concert by anyone who can write, Judy who calls me when I'm on tour to find out if I'm dead which doesn't seem important until someone maybe shoots out a tire on a mountain in the East California desert after an hour-long low speed chase that I probably deserved for watching the OJ Simpson madness on TV, Zoe who is the smartest little sister ever, Charlotte who's the coolest indie-rocking little sister and also pretty smart, Nick Who's always got a kind word and who's always had a kind heart, Marcy who teaches me new things every time we talk, Gerry who taught me what a chord progression is, Ellen, Loe, David, Jill, Jim, Sophia, Emma, Zach, Irene, Rogelio, Diego, Kelly, Bonnie, Quentin, Sophia, Julian, Esteban, Macarena, Mateo, Alberto, Catherine, Alex, Daniel, Babette, Davis who partially inspired this with his Phil Collins night and has taught me a lot about playing and recording, Herb who has taught me about both of the above and about life, Larry who taught me guitar, Greg who taught me guitar, the other Larry who taught me guitar, Scott who explained what a bassline is, Steve who taught me to play an upright bass, Mark who taught me to sing, Luis who taught me how to play a scale so it sounds like a song, Barbara who taught me how to compose a song so it sounds all European, John who taught me how to record a song, Tamara who taught me why, Gabe, Mariah, Greg, Nathan, Sonya, Tom, Greg, Ali, Johnny, Jonathan, Matt, Dara, Discrete, Ericka, Tabitha, Mr. Awesome, Buster Brown, Robin, JP, Steve, Ellen, David, Dan, Christin, Andrea, Jacob, Matt, Sid, Tom, Nick, Chris, Chris, Richard, Kevin, Kenneth, Dave, Claudia, Bird, Big Bird, Sproutling, Tama, Ian, Jen, Briel, The King, Paul, San Giorgio, Coke, PBR, BV, everyone who made me a better musician, everyone who made me a mix tape, everyone who made me a cupcake, everyone who taught me how to live, how to play, how love, how to laugh and how to cry. This is turning into a country song. Forget it. Thanks to Fairfax County. Thanks to all the good music stores around here: Foxes, Action, Atomic, Chuck Levins, and Rolls way back when, on the days when they felt like being cool and letting me come in and play some music on my walk home from school, before I got home and had to start homework to learn to be whatever it was I was supposed to learn to be instead of learning to be a musician. Thanks to everyone I didn't name, here, too.
license
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